Part I: DMA Lecture Recital

"Pseudo Improvisation and Melodic Interpretation" in Thelonius Monk's "Misterioso"

From THE FRED HERSCH TRIO:
Orchestration Techniques in the Arrangement of Standards

Presented at the University of Colorado, Boulder
December 4th, 2008 @ 9:30am

Part II: DMA Lecture Recital

"TEXTURES: Harmonic Density" in Wayne Shorter's "Infant Eyes"

From THE FRED HERSCH TRIO:
Orchestration Techniques in the Arrangement of Standards

Presented at the University of Colorado, Boulder
December 4th, 2008 @ 9:30am

Part III: DMA Lecture Recital

"TEXTURES: Dynamics and Tone Color" in Wayne Shorter's "Fall"

From THE FRED HERSCH TRIO:
Orchestration Techniques in the Arrangement of Standards

Presented at the University of Colorado, Boulder
December 4th, 2008 @ 9:30am

Part IV: DMA Lecture Recital

"Counterpoint" in Cole Porter's "So in Love"

From THE FRED HERSCH TRIO:
Orchestration Techniques in the Arrangement of Standards

Presented at the University of Colorado, Boulder
December 4th, 2008 @ 9:30am

Part V: DMA Lecture Recital

"Conclusions and Final Thoughts"

From THE FRED HERSCH TRIO:
Orchestration Techniques in the Arrangement of Standards

Presented at the University of Colorado, Boulder
December 4th, 2008 @ 9:30am